America’s Diverse Social Tapestry Shines with “IN/FLUX” on view at Pelham Art Center

by Elizabeth Barenis

 

On view at Pelham Art Center through November 2nd, “IN/FLUX” – co-curated by PAC Director Charlotte Mouquin and Gallery Advisory Board Member Victoria Rolett – features works by compelling contemporary artists wielding their perspectives on immigration as expressed through various mediums. Ranging from photography to painting, installation art to collage, artists on view don’t shy away from aspects of immigration – positive and negative – that have shaped the scope of their respective artistic practices. Artists on view include Corina S. Alvarezdelugo, Selin Balci, Nicky Enright, Jenny Polak, Alejandra Hernandez, David Rios Ferreira, Omid Shekari, Ruben Natal San Miguel, Natalia Nakazawa and Victoria-Idongesit Udondian. The works exude a sense that the wider narrative diversity brings to the table creates a more intriguing contemporary art experience.

The Republic of Unknown Territory by Victoria-Idongesit Udondian for IN/FLUX

Visitors to this unique survey exhibition are greeted at the entrance by sounds of immigrants reflecting on their experiences as captured by Victoria-Idongesit Udondian for her installation, “The Republic of Unknown Territory.” Various articles of clothing are scattered throughout the space, suspended in hidden narratives that allude to both the absence and presence of their owners.

Engaged with the macro, rather than micro, elements of immigration, artist Natalia Nakazawa creates a map of woven threads manifesting the journeys that immigrants have taken to start new lives for themselves in their chosen homes. Denoting trade and travel along immigrant pathways, Nakazawa creates her works by incorporating participation into her process. Similarly engaged with fabrics and mixed materials, this work contrasts with Udondian’s installation in its bird’s-eye view of the effects which immigration exerts on an international scale.

Our Stories of Migration tapestry by Natalia Nakazawa for IN/FLUX

Ferreira’s pop-infused postcolonial drawings peel apart the layers of mythology and truth that comprise each immigrant’s personal history as well as society’s response to immigration. The colorful hues spanning intricate drawings in Ferreira’s works speak to an overarching, allegorical immigrant experience: a wider narrative that embraces aspects of varying sociopolitical relationships and international transportation.

Similarly engaged with maps, travel and transportation, Corina S. Alvarezdelugo’s collage works meld imagery unpacking the emotional weight of what lays near and far, subjects both intimate and remote.

David Rios Ferreira with his Drawings for the opening of IN/FLUX

 

Corina S. Alvarezdelugo’s Pangaea for IN/FLUX

On view at Pelham Art Center from September 20-November 2nd, “IN/FLUX” will host a variety of immigration-themed programming over the course of its time at the Center. These events include:

Afro-Puerto Rican Bomba celebration with BombaYo! – Sunday, Sept. 22nd 2-4pm
Diwali the Hindu festival of lights – Sunday, Oct. 6th 2-4pm
Mexican Day of the Dead – Sunday, Oct. 27th 2-4pm
There will be additional performance art during ArtsFest weekend Oct. 4-6th

Jay Milder’s “Unblotting the Rainbow” Hosts Official Opening Sept 27

Friday, September 27th marks the grand opening celebration of painter Jay Milder’s formidable “Unblotting the Rainbow”, curated by Adam Zucker and on view at the Provincetown Art Association & Museum through Nov 10, 2019.

“Animistic Ark” (2015) Jay Milder

 

“Unblotting the Rainbow” marks a pivotal moment in Milder’s career: the painter, already a household name in Brazil, has an upcoming solo exhibition at the Casa de Mexico in Havana, Cuba in May 2020.

Born in Omaha, Milder exploded onto the scene alongside contemporaries Red Grooms and Claes Oldenberg, and his experimental approach to painting – focused through his intense reflections on spiritual mysticism – informing his changing artistic vision. At times abstract while adopting a scale of figurative elements over the years, the artist relies on elements such as Kabbalah and numerology to inform his compositions. A keen balance of formal qualities imbues his practice with a meditative presence. Works on view in “Unblotting the Rainbow” chart the artist’s continual progress from his roots as an emerging artist in the 1950s through today. As curator Adam Zucker notes, “(the exhibit) focus(es)…on his use of painterly Expressionism as a means to address physical and spiritual themes affecting the human condition. For Milder, it’s a return to exhibiting in Provincetown, a community that had a tremendous impact on his career.” The artist began an ongoing relationship with the Provincetown area in the late 1950s, maintaining links to the area and experiencing formative days and months learning from others in the close knit community. A homecoming of sorts for the artist, Milder continues to push artistic boundaries while maintaining his place as a premiere artist advancing American modern expressionism.

Noah’s Ark #1 (2002) Jay Milder


Along with an opening to the public on Friday, August 27 from 8 pm on, the artist will also be giving a talk on Sunday, August 29 at the Provincetown Art Association and Museum from 1 pm. See the PAAM’s website for more details: https://www.paam.org/exhibitions/jay-milder-unblotting-the-rainbow/

Joan Walton’s Transcendent Works Shine in “Montauk Love Song”

“Montauk Love Song” celebrates its opening on Thursday, Sept 27 from 6-8 pm at Atlantic Gallery, suite 540, 547 W 27th street NYC. The opening is free and open to the public and the artist will be present.