Bringing it All Together: Collage Artist Kelly Dabbah Exhibiting at Miami Art Week

With collage techniques, many moving parts can become one. Nowhere is this more clear than in the work of Swiss-born artist Kelly Dabbah. She has a lot going on and it is clear that this why collage has become her preferred method of art-making. “I am quite precise, which is why I like the possibilities of editing and flexibility that collage has to offer,” she remarked in our phone conversation.

Kelly Dabbah photographed by Ian Evan Lam

Digital collage can be employed on many different materials. Most recently, she released a limited edition series of skate decks and bucket hats on NTWRK, both printed with her signature digital collage works. During Miami Art Week she is showing work from her “mirror” series of collage printed on mirrors, and a vintage chair upholstered in a collaged textile that celebrates the bling aesthetics of LA, aptly titled: “You Can Sit On It.”

During this past year, Dabbah spent a sojourn in LA where she was embraced by a group of musicians and producers – including ThunderCat, Anderson Paak, and Derek ‘Mixed by Ali’ who have all commissioned work from the artist. Elements from that LA lifestyle populate her mirrors and especially the textile of the vintage chair. Borrowed from cannabis culture, “pass with care” is a phrase that reoccurs in the artist’s work. Decriminalization and legalization add cause for celebration de-stigmatizing the subculture that has welcomed her since her teens in Geneva and throughout her time in New York and LA. 

You Can Sit On It (Back) (2021) By Kelly Dabbah. Chair and printed textile. Photographed by Dom Stills.

On view in Miami, “My Best Friend, My Worst Enemy” depicts snakes, flowers, palm trees, and the third eye – crying. “Like youth, flowers wilt,” says Dabbah about her incorporation of flowers which are included in much of her work. In “Cara Said ‘Bacon!’” a hand steadily holds a needle filled with Botox. The mirror series speaks to impossible beauty standards and the contradictions that make up femininity. The mirror series speaks to impossible beauty standards and the contradictions that make up femininity. Miami is a fitting place to showcase Dabbah’s work, because unlike Basel week in Switzerland, emerging artists can make a mark during Miami Art Week. The diverse audience of artists, athletes, musicians, celebrities, the it-crowd, and people looking for a good party are a collecting group attracted to artists who work across disciplines and whose work embodies a millennial and painterly cut and paste aesthetic that is steeped in lifestyle symbology.

Detail, ”Cara Said Bacon!” by Kelly Dabbah (2021.) Collage printed on mirror, 36×50”. Image courtesy the artist.

The ease in which Dabbah works with brands and drops limited editions is a result of her training in Fashion Design at Parsons School of Design at the New School. She has painted on leather jackets for American designer Anna Sui for her Fall Season Fashion Week show, worked on a neon collaboration with Yellow Pop, a neon company, and last Halloween, she worked with the Italian notebook manufacturer Moleskine to customize notebooks for in-store shoppers, among others. “Working with an artist allows brands to connect more authentically with their consumers,” says Dabbah. Although she speaks a language that corporate clients understand the artist is not all business; she has the mind of an artist – boundless, experimental, slightly erratic, but deeply visionary. As art, fashion, design, and branding continue to merge we look forward to following Dabbah’s contribution to this growing space. 

Don’t miss Kelly Dabbah’s showcase “Cara Said ‘Bacon!’” at Booth C07 at SCOPE Art Show during Miami Art Week 2021. 

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