A camouflage-wrapped La-Z-Boy chair languishes on a fishing pier in Virginia. Rows of milk cartons line the refrigerated shelves in a Wisconsin grocery store. Views from across America feature in the photography which forms the basis of the migratory “Treat America Project”, a group exhibit curated by Jon Feinstein of Humble Arts Foundation and Jamie Martinez of The Border project space that features a single artist from each state across America. Featured on the @treatamericaproject Instagram page over the course of 2018, artists will have a chance to see their work shine in person at two spaces in New York City in 2019.
Celebrating the diversity of the United States under a unified banner of creative artistic license, even during an era of stark political division, this wide range of artists – juried by Feinstein and Martinez – have translated their vision of their home states via compelling imagery featured on both the project’s Instagram page, Facebook page and website. The project makes good on its aim to bring art to the service of the greater good: each artist was invited to select a charitable organization, with a portion of proceeds of art print sales going to each cause. An exercise in contemporary art and goodwill, the Treat America project allows a window into this urgent hour of dialogue, exchange and creativity.
The Treat America Project will be on view in New York City in two iterations: first at Foley Gallery, 59 Orchard Street NYC (Jan 9-13th, 2019) followed by an exhibit at OSNY Project Space, 417 W. 57th Street NYC (Feb 8-17th). The project is sponsored by Treat Gallery, an online exhibition initiative benefiting a wide array of emerging artists, businesses, communities and charitable organizations since its founding in 2016.
by Katie Hector
Slightly north of the beating heart of Miami Art Week, Pulse Art Fair – anchored at Indian Beach Park, as always – continues to keep art week feeling fresh! ANTE. toured Pulse to pick out the top presentations not-to-be-missed at the 2018 iteration of the fair, open through Dec 9.
NY FEM FACTORY A Tree Grows at Pulse
What happens when a booth is really a tree? NY Fem Factory observed this alternative to a white cube space as an invitation for giving visitors a moment of rest and reflection along with a healthy dose of feminism with their project Pink Privacy. Neon signs created by artist Dana Caputo depict the venus symbol and hang like strange fruit from a sea grape tree. sprouting whimsically from the fair floor. The signs are visually striking and attract attention from across the South Tent, imploring viewers to come a little closer with enticingly soft pink light. Landline phones positioned on glass coffee tables at the base of the tree play pre-recorded voices reciting each individual’s experiences as women. When asked which came first, the tree or the installation, NY FEM FACTORY elaborated on the project. “Originally, we planned on receiving a space with walls where we could create an immersive installation,” observed NY FEM FACTORY artist Jessica Yatrofsky. Pink Privacy represents a cohesive collaboration featuring female-identifying artists who have created a safe space to connect, relate stories, and express creative impulses together as a community.
MINDY SOLOMON GALLERY Florida Vibes
Step into Gallerist Mindy Solomon’s bubbly and colorful world presentation (Booth N-102), which boasts a healthy collection of ceramics and paintings highlighting an innovative array of perspectives. Established in 2009, Mindy Solomon Gallery is palpably integrated into the fabric of the Florida art scene. Where some showings by NY-based galleries cram booths with gaudy saturated palettes, pop imagery, and shiny finishes, Solomon seems right at home on her own turf. As a practicing artist, educator, advocate and collector, Solomon views her gallery as an incubator for dynamic artists who are in the process of establishing their voices. Solomon’s genuine, trained eye seamlessly integrates male and female, national and international, emerging and even established artists all within one cohesive environment. Solomon deftly utilizes color as a unitifing factor as the great equalizer, incorporating a variety of perspectives and striking a balance between artwork, race, and gender. In a gallery world held increasingly more accountable for inclusion, striking a balance between artwork, race, and gender can be a contrived quota – not so at Solomon, who offers what I can only describe as pop sincerity and vibrant, celebratory diversity exuded through a balance of color and form.
Pulse Play Project For Empty Space The Beauty of Violence
The Project for Empty Space (PES) activates their booth with Pulse Play, screening of video-based work showcasing the perspective five artists from various parts of the world who address the theme, “A Violence”. By relying upon an open call system, Project for Empty Space founders Jasmine Wahi and Rebecca Jampol democratize an artist’s chance at showing work during one of the highest profile art events of the year: Pulse Art Fair. By boldly representing video-based work within an art fair dominated by objects, PES upholds their mission to produce instances of social engagement, education, and dialogue through art in order to encourage systemic change and cultural tolerance.
This collection of videos include striking surreal images along with audio cues that reveal how universal the impact of violence is. “So much beauty is born from so much devastating pain. What was particularly important for us in this project was to exemplify a span of subjects that ranged from the personal to the public; it was significant to choose voices that engage in nuanced and complicated understandings of systemic violence and the fallout that comes with it,” noted PES co-directors Wahi and Jampol. Pulse Play offers viewers a moment of philosophical reflection through the storytelling of video and serves as an unexpected humanitarian respite from the fair frenzy.
ANN LEWIS One in Five
From afar, Ann Lewis’s booth looks like a minimalist contemplation of space and light immediately conjuring references to the lineage artists such as Eva Hesse and Ruth Asawa. Get a little closer and the hanging garments reveal themselves to be underwear: twenty pieces of underwear, in total. A sharp pang of revulsion floods the body as one can’t help but notice a considerable number of the undergarments are soiled, stained, and ripped. This visceral reaction, a moment of disgust, is something Lewis employs in her work as a means of addressing the topic of rape culture in America. “I created this work during the Brock Turner hearings back in 2016,” Lewis explains. She goes on to explain that the title One in Five directly references a statistic published by the CDC that one in five women will experience sexual abuse in their lifetime. “I base many of my works on accessible data as to give the viewer unencumbered access to the facts of these issues through visual representations.” As a multi-disciplinary artist and activist, Lewis focuses on creating work in public spaces in order to address American identity, power structures, and social justice. Lewis’s work is visually and emotionally striking, yet pensive and refined standing as a powerful statement within the fast paced commercially driven environment.
Knot Expected: Elevating the Every Day The Odd Couple
The pairing of artist Windy Chien and Sunbrella, an outdoor textile manufacturer, seems like a relatively unlikely duo to find at Pulse. However this unexpected collaboration offered something that most highbrow commercial booths overlook: the importance of the human touch. For Chien, this is just the latest in a series of collaborative outlets that allow her to express her creative impulses. After stepping away from an executive position at Apple, Chien submerged herself in the ancient, nautical craft of knot making – learning a different knot each day for one year. Her intense level of intrigue and dedication to a medium which is often only valued for its functionality caught the PR eye of Sunbrella. Large canvas bags containing small bundles of cords in neutral earth tones were positioned in the middle of the booth amidst an installation of various knot types the artist had created. “Would you like to tie a knot?” a Sunbrella representative asked, coaxing my curiosity with an invitation to touch. Within the setting of the art fair, a place that commercially epitomizes the artistic hand the intimacy of touch and the ability to encounter a material is a rare and meaningful experience. Chien’s desire to elevate the mundane knot and share the joy of textiles allowed for a less conceptual and more intimate moment of interaction and storytelling to take place in the most unlikeliest of settings.
Miami Art Week is nothing if not overwhelming: a comprehensive survey of the contemporary art market on an international scale, there is something to distract and enthrall even the most casual visitor. For fans of fashion, fine art and sustainability, however, one exhibit is paramount: RE-THINK, the Arcadia Earth-curated project taking place at Istituto Marangon Miami (IMM). Featuring thrilling installations and immersive art experiences, RE-THINK is a fearless, vibrantly contemporary showcase of artists whose works demonstrate aspects of re-using, re-purposing and upcycling materials.
After a VIP opening December 3rd, the exhibit kicks off Dec 4th and will remain on view through December 16th at 3700 – 3740 NE 2nd Avenue in Miami, Florida. An exhaustive survey of artists including Tamara Kostianovsky, Cindy Roe, Samuelle Green, Etty Yaniv, and more work across recycling and conservation in partnership with Arcadia Earth, Oceanic Global and IMM. These organizations have joined powers in support of these artists to produce sweeping vistas of recycled paper in cave-like rooms and vibrant banquet tableaus crafted with upcycled objects.
Etty Yaniv‘s installation, “SIRENS”, recreates an ocean wave out of plastics and fragments of artworks that deeply impact visitors to RE-THINK as to the overwhelming sense of the scale pollution plays in our planet’s oceans. Directly in conversation with nature while simultaneously referencing the power and impact of Hokusai’s graphic woodblock print, The Great Wave off Kanagawa, Yaniv produces a powerful composition simultaneously evoking the power of nature and the increasing amount of plastics and other trash and debris comprising the oceans. Created mainly of plastic remnants, for SIRENS at Arcadia Project in Miami Yaniv accentuates the push-and-pull drama extant between nature and man-made artifice, a complex co-existence which has resulted in unprecedented pollution of our oceans and rising sea levels. Balancing the organic and the artificial, Yaniv’s “SIRENS” provides a subtle yet impactful elegy to the power of the Earth’s oceans and our role in creating a new a natural environment, whether for better or for worse. In addition to “SIRENS”, nearby “Manifestation of the Paper Cave 2” by Samuelle Green and “Alchemy” Tamara Kostianovsky align with the exhibition themes of sustainability and environmental protection. Tamara Kostianovsky’s site-specific work draws attention to the need to up-cycle everyday objects, and eyeing new means of regeneration and sustainability while Samuelle Green’s “cave” creates a visual dialogue with art forms present in the natural world. Overall, these environmentally friendly installations work as a cohesive whole, and are supplemented by mindful panels related to sustainability efforts which take place in the center of these massive art environments.
Visit RE-THINK soon – before December 16, 2018 at 3700 – 3740 NE 2nd Avenue in Miami – to experience this limited time immersive exhibit thoughtfully highlighting environmental issues and the simple daily solutions available to create a more sustainable planet through augmented reality, experiential installations and curated educational talks and panels.
Ziemia has arrived at McGorlick Park in Greenpoint, Brooklyn, and with it a world of experiences, memories, dreams and hopes.
The project, created by artist Martynka Wawrzyniak in partnership with support from the Polish Cultural Institute New York, is a rounded, organic sculpture incorporating soil samples from across the world in an orb-like shape to represent the multi-dimensional fabric of our human tapestry across the globe. Spanning from the US across Asia and Europe, the artist has spent years creating this project – now on view through June 2019 in Greenpoint’s own McGolrick Park! The first public art project in the park in decades, Ziemia symbolizes hope that we can live side by side as co-stewards of our planet.
In particular, the project embodies dual concepts of migration and establishing new residencies/homes. The soil itself has traversed time zones and latitudes in order to create this pivotal sculpture, which has subsequently made its own home in the meadow of McGolrick Park. Polish Cultural Institute of New York (PCINY) director Anna Domanska notes of the project, “When Martynka Wawrzyniak came to us with her project, we knew it was the best canvas to tell the story of Poland and the Poles, who through the ups and downs of history found their new place on earth in the United States, but in a broader sense, portraying issues shared by many nations and cultures in a global context.”
Domanska continues, “After all, the idea of the project refers to universal questions of the meaning of emigration, of roots, having a home and losing one, finding one’s identity in new cultural circumstances. This project also symbolically shows the strength of the links between Poland and the United States. The Ziemia Project after all is not only a sculpture, on display since June 9 in McGolrick Park, but also all the collected and documented human stories that demonstrate those links.”
More about the incredibly labor intensive process the artist used to realize the project, with support from PCINY, can be found on the Ziemia project website. Ziemia, the word for “Earth” or “Land” as translated from Polish, is a potent reminder of the common bond we share despite the boundaries that may divide us. The project was realized in partnershp with the New York City Department for Parks & Recreation and will reside in McGolrick park through June 2019.
Culture Push, an innovative NYC-based nonprofit arts organization promoting civic engagement, is hosting their annual benefit on Tuesday, June 26 from 6-9 pm at the Abrons Art Center, 466 Grand Street (#201) New York, NY. This fundraising event honors Art in Odd Places Founder Ed Woodham while raising funds to support one of the nonprofit’s central missions, the Fellowship of Utopian Practice, which funds artists to create socially-engaged projects across a range of mediums and with a variety of audiences in mind. Tickets are still available here – there’s still time to join in and be a part of innovative and experimental social practice Culture Push brings to life! Tickets to the party start at $25, with a $75 option to enter the raffle and leave with a fabulous limited edition artwork!
Works are available in the raffle by innovative artists such as Chloë Bass, Caroline Woolard, Aricoco, Todd Shalom and so many more! The Benefit not only continues to support Utopian Practice fellows including Clarivel Ruiz, Chris Ignacio, Kanene Ayo Holder & Jodie Lyn-Kee-Chow, Theodore Kerr, Hidemi Takagi, the Chinatown Art Brigade and more. All artists call attention to the intersection between social and civic participation and the arts. This is a sentiment also advanced by Art in Odd Places founder Ed Woodham, the honoree of the event. Art in Odd Places, a nonprofit arts festival taking place along 14th street in New York City, is in its 14th year and has allowed experimental practice along the length of this public corridor in Manhattan.
Imaginative problem-solving and the genesis of social art lie embedded in the foundation of Culture Push’s mission. Flexible, responsive and avant-garde, Culture Push is celebrating its ten-year anniversary of producing innovative art projects in public for a wide audience. Founded by Clarinda Mac Low, Aki Sasamoto and Arturo Vidich, the founders have mined their respective backgrounds in visual and performing arts to create a platform for artists engaging with creative expression within the public context. Come and attend the Culture Push benefit, win a great artwork, meet inspiring artists and celebrate what is almost ten full years of experimental public art – with many more to come!