Prescient Presence: Your Presence is Requested Opens Thursday, June 28 at 131 Chrystie Street

 

Solitude and displacement rub elbows on the confluence of the fault lines defining Your Presence is Requested. This group exhibition, featuring painting, sculpture, mixed media and more, investigates the presence of self both internally, physically and even in the case of absence: the vestiges of self that can linger in the outlines of landscapes, or in abstracted self-portraits. Opening on Thursday, June 28th from 6-9 pm, the exhibit is housed at 131 Chrystie Street in Manhattan’s Lower East Side neighborhood. The exhibit features artists Maria Dimanshtein, Juan Miguel Palacios, Vincent Arcilesi, Arlene Rush, Grace Baxter, India Evans, Junichiro Ishida, Suyeon Na and many more. The exhibition is produced by Arcilesi | Homberg Fine Art in partnership with Maria Dimanshtein.

Aptly identifying and probing the span of narratives that connect figuration and abstraction, the exhibit applies a careful lens to the both constructed and candid depictions of self. One can identify with an event, an object, a location or a particular viewpoint of one’s own persona. Emotional and psychological perspectives are firmly entrenched in the various aspects that artists choose to portray in this insightful group exhibition, on view June 28-30 only (hours 11 am-6 pm on Friday/Saturday.) This exhibit evinces a rare comprehensive look at the range of artistic stylings and approaches in both visioning and re-visioning the self as beginning and end, alpha and omega. Nothing can influence one’s own outlook as much as the mysterious psyche, the hidden depths of self that remain necessarily unable to reveal yet reveling in their surroundings. From the cryptic depictions of Twins by Arlene Rush, to Palacios’ lush, painterly portraiture and Arcilesi’s multi-hued figures situated in ambiguous space, the range of artwork on view is sure to delight any collector.

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Artwork by Vincent Arcilesi

At times alternately introspective and extroverted, the works on view vary widely in style and subject matter while intrinsically examining the parameters of self. Artist Maria Dimanshtein notes that her works include… “use dark colors along with white ink and shiny textures to incorporate my poetic writing into my visual [art].” Dimanshtein notes that her art probes many subjects, including, “anxiety of freedom vs. comfort of the mundane [and] a yearning for a divine power.” The works prove as impactful as their meanings are elusive, with the artists mostly monotone compositions combining with text to provoke dizzying and at times discomfiting narratives.  .

With works by over twenty artists on view in Your Presence is Requested, Arcilesi | Homberg has assembled a dazzling breadth of viewpoints examining the human psyche. On view for three days only, this not-to-be-missed exhibit connects the threads of self-examination present in the works of world-renowned artists working across the spectrum of contemporary art practices.  Arcilesi | Homberg sees their focus as forging innovative pathways in the world of contemporary art, noting that they “challenge conventional fine art parameters”. Your Presence is Requested goes a long way to showcase these efforts.

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Artwork by Maria Dimanshtein

 

The exhibition opening on Thursday, June 28 from 6-9 pm features music compliments of DJ Danny Glover along with wine. The exhibit at 131 Chrystie is in the heart of Manhattan’s buzzy Lower East Side gallery district, easily accessible from the J/Z trains at Bowery station or the 6 train at Spring Street.  The artwork on view spans a variety of artistic mediums, and artists will be available in person to discuss their works and specific processes.

For additional questions, concerns and for extra visuals please contact Francesca Arcilesi (francesca@aha-fineart.com), Norma Homberg (norma@aha-fineart.com) or Maria Dimanshtein (mdimanshtein@gmail.com)

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Artwork by Juan Miguel Palacios

ZIEMIA Introduces a Whole New World to Greenpoint’s McGorlick Park

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Opening Day of “Ziemia” at McGolrick Park with the artist revealing the sculpture in Greenpoint, Brooklyn (image credit Izabela Gola)

Ziemia has arrived at McGorlick Park in Greenpoint, Brooklyn, and with it a world of experiences, memories, dreams and hopes.

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Polish Cultural Institute New York Director Anna Domanska introducing “Ziemia” at McGolrick Park

The project, created by artist Martynka Wawrzyniak in partnership with support from the Polish Cultural Institute New York, is a rounded, organic sculpture incorporating soil samples from across the world in an orb-like shape to represent the multi-dimensional fabric of our human tapestry across the globe. Spanning from the US across Asia and Europe, the artist has spent years creating this project – now on view through June 2019 in Greenpoint’s own McGolrick Park! The first public art project in the park in decades, Ziemia symbolizes hope that we can live side by side as co-stewards of our planet.

In particular, the project embodies dual concepts of migration and establishing new residencies/homes. The soil itself has traversed time zones and latitudes in order to create this pivotal sculpture, which has subsequently made its own home in the meadow of McGolrick Park. Polish Cultural Institute of New York (PCINY) director Anna Domanska notes of the project, “When Martynka Wawrzyniak came to us with her project, we knew it was the best canvas to tell the story of Poland and the Poles, who through the ups and downs of history found their new place on earth in the United States, but in a broader sense, portraying issues shared by many nations and cultures in a global context.”

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“Ziemia”, at McGolrick Park, Greenpoint, Brooklyn. Photo credit Weronika Kwiatkowska.

Domanska continues, “After all, the idea of the project refers to universal questions of the meaning of emigration, of roots, having a home and losing one, finding one’s identity in new cultural circumstances. This project also symbolically shows the strength of the links between Poland and the United States. The Ziemia Project after all is not only a sculpture, on display since June 9 in McGolrick Park, but also all the collected and documented human stories that demonstrate those links.”

More about the incredibly labor intensive process the artist used to realize the project, with support from PCINY, can be found on the Ziemia project website. Ziemia, the word for “Earth” or “Land” as translated from Polish, is a potent reminder of the common bond we share despite the boundaries that may divide us. The project was realized in partnershp with the New York City Department for Parks & Recreation and will reside in McGolrick park through June 2019.

A Pleasant (Re)introduction: Allow Me to Reintroduce Myself Opens June 21st in Long Island City, Queens

Legacy speaks volumes, and in Long Island City, who better to reintroduce the stunning former DeNobili Cigar Factory space as a brand new arts center than two established curators: Krista Scenna of Brooklyn’s Ground Floor Gallery and Caroline Peñafiel of Local Project in Queens. Scenna and Peñafiel are well known on the local scene, and have carefully selected a cohort of contemporary artists to christen this formative new Long Island City arts space. The curators have selected an eclectic and talented group of New York City artists through an open call process for this inaugural exhibition, Allow Me to Reintroduce Myself, opening Thursday, June 21st from 5-9 pm at the space located at 9-20 35th Avenue in Long Island City. 

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Fifty-seven years after closing, the former factory re-opened in 2017 as a mixed-use creative space. This welcome new sanctuary for arts in Long Island City is opening its doors to local creatives for exhibitions and events. This inaugural exhibition features work by dozens of NY-based artists, including Christina Massey, Peter Gynd, Etty Yaniv, Patricia Fabricant, Shira Toren, Blanka Amezkua, Esperanza Cortez, and more. All artists are listed on the Facebook event listing for Opening Reception: An Art Show for the Cigar Factory LIC. In addition for serving as a blank canvas of sorts for the creative community in New York City, collectors of all backgrounds are more than welcome as well – most artworks on view will be price near or below $1000!

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“Feminine Blue” (2018) Watercolor, acrylic, paper, fabric, aluminum, collagraph monoprint, silk screen, thread – Chine-collé technique. (Image Courtesy of the Artist)

Brooklyn-based artist Christina Massey has two artworks featured in this stunning, immersive exhibit: “Feminine Blue” and “Girly Gothic”. Both works were produced this year as the result of a labor-intensive process in which the artist combined remnants of past watercolor and collage artworks with newly developed skills from her SIP residency as part of the EFA’s Robert Blackburn Printmaking Workshop. These works combine a delicate approach to line with bold patterns and hues, crafting fantastic and mythology obejcts protruding diagonally across the picture plane. Massey’s works display a masterful painterly touch, both elusive and intrepid in their hybridity.

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“Girly Gothic” (2018) Watercolor, acrylic, paper, fabric, aluminum, collagraph monoprint, image transfer, silk screen – Chine-collé technique (Image Courtesy of the Artist)

Massey’s works are definite standouts in the exhibit, on view at the Cigar Factory LIC through Thursday, July 19th. With over ten years of exhibition history, the artist holds a BFA from California State University, and experiments across painting, printmaking and soft sculpture. In addition to her inclusion in Allow Me to Reintroduce Myself, the artist is also concurrently exhibiting at the Korean Cultural Center through July 6th, and will be exhibiting work in the upcoming SIP Summer Exhibition at Elizabeth Foundation for the Arts from July 11-29.

Allow Me to Reintroduce Myself is free and open to the public. Exhibition hours are during events on Friday, June 22nd and Thursday, July 19th with additional viewing hours on Thursday, July 12th from 3-7 pm and Saturday, July 15th from 1-6 pm. For additional information or inquiries, please contact Krista Scenna: Krista@groundfloorbk.com

(Below installation images of Cigar Factory LIC’s Allow Me to Reintroduce Myself, courtesy the curators.)

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Onel Naar’s Evocative Works Sustain Morir Soñando at Knockdown Center

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Traversing the trenchant territory between identity, hybridity and ambuity, Morir Soñando marks a cutting-edge look at mixed media in the post-colonial era. Opening Friday, June 22nd from 6-9 pm, the group exhibit features artists Penn Eastburn, Valery Jung EstabrookHein KohJoiri Minaya, Kristianne Molina, Onel Naar, Esther RuizCristina Tufiño, and Woolpunk and is curated by Alex Santana. Referencing the popular yet tricky to create Dominican beverage of the same name, made by meticulously combining milk with orange juice, the exhibit untangles the delicate intricacies binding together artists of mixed heritage working in mixed media. With international roots spanning the Global South and beyond, these artists reclaim the interstitial space between power and vulnerability, belonging and exclusion.

A sneak peek at works on view, such as Onel Naar’s Colgão Diptych (2017) prove the exhibit to allow materials room to breathe and to assume new identities. Deceptively simple organic matter becomes the frame and the image: separated by space yet linked by form. This gentle conceptual investigation of our expectations of fine art with particular attention to the diptych: questioning what constitutes the art object and the auxiliary objects supporting its display. In the artist’s own words, he investigates the concept of diptych in contemporary art to interrogate “the physical and conceptual dualities present.” This duality permeates the crux of the exhibition concept, which probes the notion of seeking strength and liberation through vulnerability.

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On view from June 22-August 19th at the Knockdown Center, Morir Soñando provides space for a wider consideration of the existing cultural framework that contemporary art undermines, supports and even propagates. Where there is space for new materials to infiltrate and expand concepts of contemporary art, there is an expansion of our definition of from where – and for whom – art is created.