Altered States: Artist Evelyne Huet Abstracts Humanity in DEAR HUMANS

“Envious Thoughts”, Evelyne Huet, DEAR HUMANS at Atlantic Gallery

Evelyne Huet‘s solo exhibition at Atlantic Gallery, DEAR HUMANS, extracts the pure essence of humanity in a range of mostly abstract compositions. Spanning sombre-colored hues and bright flashes of neon, the digital paintings on view intersperse various references to the human psyche. Linear compositions merge with organic forms to allow the viewer’s subconscious to create spontaneous responses to the overall effect of each artwork. Translating the spirit of Color Field painting from the analog to the digital, Huet’s works draw from the same elevated abstraction as artists like Gerard Richter. Color and line merge to form in Huet’s DEAR HUMANS, with the works forming a digitally-painted deep dive into various psychological and emotional states. On view through March 30, 2019, DEAR HUMANS provides a nuanced and provocative exploration of both normal and altered states of human consciousness.

“The Innocents”, Evelyne Huet, DEAR HUMANS at Atlantic Gallery

Huet draws from her professional background in anthropology, mathematics and fine art to create a new, digitally-created sensorial realm. With colors seemingly melting back toward flat planes of tones beyond amorphous figures, Huet doesn’t hold back from bold juxtapositions in these works while still maintaining an ethereal quality. “I choose to study this discipline for its infinitely dream-like dimension,” remarks Huet. Creating works centered around the human form and psyche, Huet physically creates these digital paintings using her fingers on a screen: building these complex representational works directly with her body, mediated by technology. Drawing from Western art history’s roots in religious subject matter, specifically by bestowing titles such as “The Parables of Jesus of Nazareth” and “Nativity” on her artworks, Huet’s exhibition spans social and historical themes that remain timeless. The primitive and cutting-edge technology merge in her artistic stylings, with the final paintings printed specifically in Brussels with rare, museum-quality Diasec® finish (in limited editions of 3).

“Nativity”, Evelyne Huet, DEAR HUMANS at Atlantic Gallery

Evelyne Huet is a French artist who lives and works in Paris. She was originally trained as a mathematician, before teaching for years at the Sorbonne in Paris before re-orienting her career toward Fine Arts. Originally working as an oil painter, Huet changed to digital painting and as a new means of translating her artistic vision. She is a member of the Sociétaire of the Salon d’Automne, as well as membership in the OpenArtCode group of international artists. DEAR HUMANS is on view at Atlantic Gallery, 548 W 28th Street, Suite 540 New York, NY 10001, through March 30th (open Tuesday-Saturday, 12-6 pm).

The Lure of “Color Matters” at Galerie Richard

(cover image, artworks by Jamie Martinez for “Color Matters” at Galerie Richard on view through Nov 17)

 

Color Matters, a group exhibit featuring seven artists on view at Galerie Richard through November 17, presents a detailed exploration of contemporary artists’ use of color. A fascinating juxtaposition of color expressed in both analog and digital artworks, Color Matters includes masterful explorations of color by artists Koen Delaere, Dennis Hollingsworth, Kim Young-Hun, Jamie Martinez, Noriko Mizokawa, Carl Fudge and Joseph Nechvatal. The exhibit continues a dialogue initiated by the art critic Saul Ostrow-curated summer show, Position Matters. Spanning a range of cultural and stylistic approaches to color, these artists are re-defining how color impacts composition in the contemporary moment.

Gallery view, Color Matters at Galerie Richard

Combining multiple mediums including ink, oil and digital printing methods, the artworks on view converse in a wide lexicon reflecting the present moment in art-making. The show is introduced with works by Kim Young-Hun and Dennis Hollingsworth, flanking the front of the gallery space. Evincing a painterly approach, Young-Hun’s work balances a delicate sense of line with a post-abstract style expressed through the traditional Korean method of painting known as Hyukpil. In contrast, Hollingsworth mounts his oil paints onto the canvas or onto supports attached to canvas by sculpting the medium onto the surface. This juxtaposition of works charts the use of color on a global and chronological scale, particularly when one considers that these artists perfected their practice in the interstitial period between analog and digital art.

Works by Koen Delaere, Color Matters at Galerie Richard

The vibrant underpinnings in Carl Fudge and Jamie Martinez’ digital paintings continue the theme of contrast appearing throughout the exhibition. Both artists evoke a graphic sensibility in the exhibition: Fudge’s screen prints trace a subtle gradient of color, marking individual artworks within a cohesive new body of work. Martinez similarly presents a graphic, geometric sensibility in his compositions. The artist’s formulation of his digital paintings in accordance with his principle of Triangulation, composing his paintings of various triangles. The dynamic effect this exudes throughout the artist’s works are palpable, with compositions seeming to leap from the surface of the works. Martinez mastery of his craft is evident in the expert balance between line and color defining the artist’s practice.

works by Noriko Mizokawa, Color Matters at Galerie Richard

Works by Joseph Nechvatal, Noriko Mizokawa and Koen Delaere complete the exhibit. Nechvatal’s works reflect a targeted approach to color, as each hue reflects tones found throughout the human body. Brown, orange and pink shades permeate the artist’s digital paintings and allow an intimate means of experiencing the figure through a nuanced, abstract perspective. Koen Delaere allows color to infiltrate his scattered pattern of lines, with neutral tones and bright hues alike seemingly dancing across the surface of his paintings. Mizokawa draws from a homogeneous lexicon of forms: her organic shapes and dots similarly arrange themselves across the surface of all of her works. The artists range of color from bright hues to pastel tones articulates the unique approach she mounts in creating each unique artwork. Congruent yet surprising, Mizokawa’s compositions delight both long-standing fans of the artist’s work and those new to her practice.

Color Matters is on view at Galerie Richard, located at 121 Orchard Street on New York’s Lower East Side, through November 17. Gallery hours: Tuesday – Saturday 10am-7pm and Sunday 12pm-6pm.