Surface Appeal: MaryKate Maher’s “Echo Echo” at Gold/Scopophilia

Bodies, surface, and space take center stage in MaryKate Maher’s “Echo Echo” on view recently at Gold/Scopophilia gallery‘s space in Montclair, NJ. This was the artist’s first show with the gallery, and consisted of a presentation of recent collages and sculpture work.

Above, Installation image, “Echo Echo” at Gold/Scopophilia featuring works by MaryKate Maher (image courtesy the artist)

Maher’s edges are alternately rough and clean, combining a comfortable familiarity with line, form and gradient to create an elusively unsettling space for encountering her “Surfaces” (the artist’s collages) and “Shards” (the artist’s sculptures.) Interrogating the liminal qualities defining reality and simulacra, Maher’s ability to shift between mediums to hint at the same compositions brings an enticing quality to the viewer, demanding further inquiry. The interplay between dimensionality and plane allows visitors the ability to observe different qualities in each artwork dependent upon their perspective within the gallery’s physical space. Her works (small shard) pink (2020) and (small shard) blue (2020) both suggest a composition vacillating between two- and three-dimensional space: a result of the artist’s keen grasp of sculpture as a medium in her practice.

Above and Below, Installation images from “Echo Echo” solo show by MaryKate Maher at Gold/Scopophilia. Images courtesy the artist.

“Echo Echo” is an exhibition which deftly juxtaposes sculpture against a body of collage: two-dimensional works in dialogue with the arc of space determined by Maher’s swift, organic curvatures forming the outlines of her “Shards.” Maher treats the absence of space as preciously as she delineates the changing hues and gradients of occupied space, allowing visitors to experience different artworks according to their vantage point regarding each of her sculptures, or “Shards.” She provides a similar treat for viewers encountering her “Surfaces”: each collage work creates volumes of space by carving the picture plane into light or dark hues, alternating between an absence and a presence. These self-contained, two-dimensional works enchant while also creating cavernous structures seemingly carving their own static sense of movement that exists beyond the realm of logic.

Maher’s interest in the natural world and our relationship to it is apparent not only in her “Shards” but also in her “Surfaces.” She observes our exploration of space, interrogating interlocking concepts such as form, body and landscape. “Many small movements combine to create a larger, voluminous structure,” notes Maher, and observers of her work within the space will begin to note the various elements which combine yet jostle within her collage works, in particular, forming a cohesive composition from disparate elements. The strength of Maher’s two-dimension works lies within the precarious balance these elements exert on one another, and the tension of line, form and hue that engage and delight the viewer.

“Echo Echo” exhibited at Gold/Scopophilia gallery from January 16-February 27, 2021 in Montclair, NJ. The artist holds an MFA from Pennsylvania Academy of Fine Arts and a BFA from Arcadia University. Maher hails from Philadelphia, PA and is based in Brooklyn, NY. She has been an attending artist at Skowhegan School of Painting and Sculpture (2008), and has exhibited with Socrates Sculpture Park, Triangle Arts Association, and many more. Keep up with her projects at https://marykatemaher.com/ .