Laura Kimpton Brings LOVE to Renown Health with Artown in Reno

Artist Laura Kimpton can be best described as an interdisciplinary artist who is not likely to sit still. Her artistic practice spans sculpture and installation art along with wearable art, mixed media and painting. A stalwart for decades on The Playa at Burning Man, Kimpton is no stranger to bringing her monumental sculptures to a wide audience of admirers. Previously exhibiting inspirational messages such as “BELIEVE” at larger-than-life scales as interactive installation artworks, Kimpton brings her creative forces to bear as a power for the greater good, sharing her inspiration and ingenuity with all who encounter them.

During the current pandemic, Kimpton has taken that impulse for public engagement one step further through a partnership with Reno, NV’s Artown and Renown Health Foundation to bring “LOVE” – a monumental sculpture conceived of by Kimpton and produced in collaboration with artist Jeff Schomberg – to prominence on the campus of Renown’s hospital in the city. The work is imprinted with the artist’s signature uplifting bird motif throughout, evoking an inspiring and enduring message of love, reminding us that love conquers all, the sculpture will be on display from April 16-July 16 at Renown’s Regional Medical Center, located at 1155 Mill Street, Reno. Visitors driving by or entering the hospital to visit loved ones can take comfort in knowing that love is always there for them to access in times of need, bringing to bear the message that art is here for us to bring us comfort and clarity in times of upheaval.

Laura Kimpton’s “LOVE” sculpture, original public display (Burning Man)

 

“I hope that this sculpture will bring a sense of meaning and mindfulness,” reflects Kimpton, “to all who encounter it. I hope it gives a sense of calm to the Healthcare workers onsite, along with medical patients and their families, who view it from above or as they approach the hospital.” Kimpton’s work has always embedded a sense of mindful meditation and peace, and nowhere is this more needed than during today’s uncertainty amid a global pandemic. The sculpture beckons, a beacon of light among the sagebrushed hills, reminding all who come into contact with it that all is not lost. Kimpton herself has endured life’s ebbs and flows, and emphasizes the peace and comfort she aspires to bring to viewers of her work, particularly “LOVE” on view at Renown Health in Reno. The artist has worked with the community to make sure the sculpture brings a sense of local pride to the hospital and to residents and visitors alike in Reno.

 

“LOVE” at its new home at Renown Health in Reno, NV (pictured onsite with healthcare workers)

The sculpture provides a message of support for Reno’s front line workers at its current location. The installation was made possible by a collaboration between Reno’s own Artown initiative, bringing Reno’s art industries and civic identities together to create a stronger community, and by Renown Health Foundation, a locally owned and governed not-for-profit integrate healthcare network serving Reno and the surrounding areas. With an eye toward bringing a powerful message of hope to the wider community, both organizations are thrilled to be collaborating with Kimpton on the installation.

Kimpton herself views this joint effort as all about enriching the lives of the local community through the power of inspiration and solidarity. The artist has been staying busy, not only with her monumental sculptures and upcoming exhibitions, but with communicating with her wide network of fans and supporters through daily social media posts offering smaller works at attainable prices for her collectors. The new initiative, @apeaceofkimpton, continues the message that we can come together and support the arts while connecting with one another and making strides to build sustainability in the arts. Kimpton looks to innovative and meditative artists in her practice, including American artist Joseph Cornell and German artist Kurt Schwitters. Viewing their use of eclectic materials and aim toward a higher power of abstraction and even meditation in their work, Kimpton seeks to create art that will unite, inspire, and bring unique messages of hope to all who encounter it. She notes that though her world sculptures can… “have strong meanings,… to everyone it may be different. I love that about them.” From her large scale sculptures and handmade collages and everything in between, Kimpton’s practice speaks to everyone, bringing unity and comfort to all who encounter her creations. To everyone it may be different, but to many, her work both inspires and brings solace in a time when art brings out what is human in us all.

Hurrah! For the Future of Public, Interactive Art

On view through May 22nd at the NYCxDESIGN Design Pavilion in Times Square, a public art initiative stands out from the pack. Created through a partnership between students at the Strzeminski Academy of Fine Arts in Łódź, Poland and the Brooklyn-based Pratt Institute, the project – “Hurrah!” – marks a creative, innovative approach to US-Polish relations through public participation. “Hurrah!” consists of large-scale vertical tubes that form a public installation – a xylophone for visitors to interact with, that – upon visitors striking the sculpture in a percussive form – plays well-known Polish birthday and anniversary song, “Sto Lat.” The aesthetics of the public design initiative itself reference both the beauty of Polish landscape and the verticality of midtown Manhattan, where the project is situated.

Hurrah! installation shot, Design Pavilion, Strzeminski Academy x Pratt Institute for NYCxDESIGN

Polish Cultural Institute of New York Director Anna Domanska comments on the partnership of this endeavor, “The idea of the installation arose from reflections on how we could celebrate the 100th anniversary of establishing diplomatic relations between the USA and Poland in a way that would be interesting and inspiring today. We wanted to talk about the union of Poles and Americans, not by reviving history, but by establishing a new space for people from both countries to create together. We wanted to commemorate not only the material things expressed in this installation but also newly established relationships that may result in future projects. And, of course, we wanted to give people a moment of fun and joy in experimenting with an unusual art object.” The project welcomes a spirit of public participation and celebration, with the uplifting sounds of “Sto Lat” bringing visitors together to honor the long-lasting relationship that binds together the United States and Poland. Welcoming and joyful, this project speaks to the talented, rising stars of design studying both at Pratt Institute in Brooklyn and the Strzeminski Academy.

Artist rendering, Hurrah! for NYCxDESIGN Design Pavilion

 

 

The public art design project is on view at the Design Pavilion, NYCxDESIGN through May 22nd! The sculpture can be visited at the showcase which spans the pedestrian plazas between W 42nd-47th and bounded by Broadway and 7th Ave – “Hurrah!” is located within the Design Pavilion, and is sponsored by the Polish Cultural Institute and the Embassy of the Republic of Poland in Washington, D.C.

Art in Odd Places 2018: BODY, Towards Renewed Public Autonomy

(feature image photo by Meg Stein)

For 14 years, odd happenings have stretched out across the 14th street corridor in Manhattan, NY. Artists, designers, dancers, performers and creators have created ephemeral experiences to engage passersby for Art in Odd Places since 2005, when Founder/Artist Ed Woodham envisioned the festival as a means to reclaim public space by the same creative set continually forced out of New York City apartments by rising rents and luxury condos. The festival continues with its 14th iteration, BODY, from October 11-14 on 14th Street (Ave C to Hudson River) and – for the first year ever – in a gallery, at Westbeth gallery space Oct 4-27.

Unseen/Reclaimed Exhibition view, photo Walter Wlodarczyk

This year’s festival curator, Katya Grokhovsky, proudly emphasizes this additional space as necessary to give increased exposure for this year’s participating artists: artists who, for the first time in AiOP’s history, solely encompass feminist collectives, fem-identifying and non-binary artists with the theme, BODY. “AiOP BODY centers around the agency, autonomy and visibility of the female – identified and non-binary body in the public space and the urban environment,” notes Grokhovsky. “Both the exhibition and the festival include works which utilize humor, absurdity, gesture, actions, performance and various media and materials to explore the notion of the body as a site, as a particular battleground, especially poignant in our political climate.”

Participating artists in this year’s festival include Jessica Elaine Blinkhorn, LuLu LoLo,  Elaine Angelopoulos, Deborah Castillo, Maryam Monalisa Gharavi, Esther Neff, Amy Finkbeiner and Christen Clifford of No Wave Performance Task Force, Nicole Goodwin, Jodie Lyn-Kee-Chow, Dakota Gearheart, and many, many more. Projects range from Jody Oberfelder’s poignant Madame Ovary, which incorporates a safe space for discussing the body as site for agency, intuition, and birth; Yali Romagoza‘s Meditating my way out of Capitalism and Communism. 12410 days of Isolation, investigating traumas, displacement and the immigrant experience.

Yali Romagoza for Art in Odd Places (image by Katya Grokhovsky)
In a time when average rents for an apartment along the Art in Odd Places festival route costs upwards of $4k/month, according to RentCafe’, the need for visible and creative public art is more dire than ever. Particularly important in a social climate denigrating and ignoring women’s voices, such as our current moment in the wake of governmental actions such as the Kavanaugh Supreme Court confirmation, AiOP 2018: BODY is here to remind us that women’s voices – and agency – always matter.
Art in Odd Places 2018: BODY public street festival takes place Oct 11-14, 2018 along 14th street from the Hudson River east to Ave C.
Art in Odd Places 2018: BODY exhibition, Unseen/Reclaimed, takes place at Westbeth Gallery from Oct 4-27, 2018. Public programs forthcoming, including a panel on the body & public art takes place on Oct 18th, 6-8 pm with closing festivities on Oct 27th. Gallery hours are from 12 pm – 6 pm, Tues-Sat.

ZIEMIA Introduces a Whole New World to Greenpoint’s McGorlick Park

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Opening Day of “Ziemia” at McGolrick Park with the artist revealing the sculpture in Greenpoint, Brooklyn (image credit Izabela Gola)

Ziemia has arrived at McGorlick Park in Greenpoint, Brooklyn, and with it a world of experiences, memories, dreams and hopes.

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Polish Cultural Institute New York Director Anna Domanska introducing “Ziemia” at McGolrick Park

The project, created by artist Martynka Wawrzyniak in partnership with support from the Polish Cultural Institute New York, is a rounded, organic sculpture incorporating soil samples from across the world in an orb-like shape to represent the multi-dimensional fabric of our human tapestry across the globe. Spanning from the US across Asia and Europe, the artist has spent years creating this project – now on view through June 2019 in Greenpoint’s own McGolrick Park! The first public art project in the park in decades, Ziemia symbolizes hope that we can live side by side as co-stewards of our planet.

In particular, the project embodies dual concepts of migration and establishing new residencies/homes. The soil itself has traversed time zones and latitudes in order to create this pivotal sculpture, which has subsequently made its own home in the meadow of McGolrick Park. Polish Cultural Institute of New York (PCINY) director Anna Domanska notes of the project, “When Martynka Wawrzyniak came to us with her project, we knew it was the best canvas to tell the story of Poland and the Poles, who through the ups and downs of history found their new place on earth in the United States, but in a broader sense, portraying issues shared by many nations and cultures in a global context.”

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“Ziemia”, at McGolrick Park, Greenpoint, Brooklyn. Photo credit Weronika Kwiatkowska.

Domanska continues, “After all, the idea of the project refers to universal questions of the meaning of emigration, of roots, having a home and losing one, finding one’s identity in new cultural circumstances. This project also symbolically shows the strength of the links between Poland and the United States. The Ziemia Project after all is not only a sculpture, on display since June 9 in McGolrick Park, but also all the collected and documented human stories that demonstrate those links.”

More about the incredibly labor intensive process the artist used to realize the project, with support from PCINY, can be found on the Ziemia project website. Ziemia, the word for “Earth” or “Land” as translated from Polish, is a potent reminder of the common bond we share despite the boundaries that may divide us. The project was realized in partnershp with the New York City Department for Parks & Recreation and will reside in McGolrick park through June 2019.

Pushing Ten Years! Culture Push Benefit + Art Raffle Supports Socially Engaged Art Leading Up to Ten Year Anniversary

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Culture Push, an innovative NYC-based nonprofit arts organization promoting civic engagement, is hosting their annual benefit on Tuesday, June 26 from 6-9 pm at the Abrons Art Center, 466 Grand Street (#201) New York, NY. This fundraising event honors Art in Odd Places Founder Ed Woodham while raising funds to support one of the nonprofit’s central missions, the Fellowship of Utopian Practice, which funds artists to create socially-engaged projects across a range of mediums and with a variety of audiences in mind. Tickets are still available here – there’s still time to join in and be a part of innovative and experimental social practice Culture Push brings to life! Tickets to the party start at $25, with a $75 option to enter the raffle and leave with a fabulous limited edition artwork!

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Artwork by Chloë Bass for Culture Push benefit raffle

Works are available in the raffle by innovative artists such as Chloë Bass, Caroline Woolard, Aricoco, Todd Shalom and so many more! The Benefit not only continues to support Utopian Practice fellows including Clarivel Ruiz, Chris Ignacio, Kanene Ayo Holder & Jodie Lyn-Kee-Chow, Theodore Kerr, Hidemi Takagi, the Chinatown Art Brigade and more. All artists call attention to the intersection between social and civic participation and the arts. This is a sentiment also advanced by Art in Odd Places founder Ed Woodham, the honoree of the event. Art in Odd Places, a nonprofit arts festival taking place along 14th street in New York City, is in its 14th year and has allowed experimental practice along the length of this public corridor in Manhattan.

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Artwork by Aricoco for Culture Push benefit raffle

Imaginative problem-solving and the genesis of social art lie embedded in the foundation of Culture Push’s mission. Flexible, responsive and avant-garde, Culture Push is celebrating its ten-year anniversary of producing innovative art projects in public for a wide audience. Founded by Clarinda Mac Low, Aki Sasamoto and Arturo Vidich, the founders have mined their respective backgrounds in visual and performing arts to create a platform for artists engaging with creative expression within the public context. Come and attend the Culture Push benefit, win a great artwork, meet inspiring artists and celebrate what is almost ten full years of experimental public art – with many more to come!

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Fellow for Utopian Practice Jodie Lyn-Kee-Chow

 

 

 

-1 Below: A Look at Culture in the Outer Boros & NY Metro Area, Jan 29 to Feb 2, 2018

There are countless gallery guides exploring the cultural events happening throughout NYC, but how many can you find within walking distance or bus ride of your nest? How many events happen right down the street that you could swing by after a nice dinner with a friend? Why does every single blog profile seem to profile events happening in the art areas of Chelsea and the Lower East Side?

With these thoughts in mind, here at -1 Below we take a look at cultural events happening around New York City, minus one boro: Manhattan.

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Below we consider upcoming cultural highlights with five not-to-miss events from Brooklyn, Queens, Staten Island and the Bronx… with some cultural events to entice guests willing to venture farther afield.

Artwork by Katherine Toukhy, PES Grab back artist-in-residence
Artwork by Katherine Toukhy, PES Grab back artist-in-residence (Project for Empty Space, Newark, NJ)
  1. “Night Regulation” Radiator Gallery, 10-61 Jackson Ave, Long Island City feat. artists Loren Britton, Maria Dimanshtein, Nicholas Fraser, JF Lynch and Andrew Prayzner – curated by Patrick Neal. An exhibition touching on the fraught and complex relationship between conceptual and formal elements present in contemporary art. Opening: Feb 2nd from 6-9 pm  
  2. “Incision: Feminist in Residence” Project for Empty Space, 2 Gateway Center, Newark, NJ  (across from Penn station skybridge) feat. artists Chaya Babu, Christen Clifford, Camille Lee and Katherine Toukhy. Profoundly feminist, this exhibition explores the personal and political presence of being a woman artist in a complex, hierarchical art world pantheon.  Opening: Jan 31st from 6-8 pm.
  3. Know Your Mushrooms: Mycology 101” Earth Arts Center, 936 Madison Street, Brooklyn, NY for artists with a taste for the wilder side of nature, this class, led by expert agriculturalist and PDC practitioner Oliver Bolotin, covers key points outlined by Paul Stamets in the tome “Mycelium Running”. This class will cover wild mushrooms as well as growing your own fungi colony at home. Event takes place Sat, Feb 3rd: doors open at 8 pm with discussion beginning at 8:30. 
  4. “Reenactment” gallery talk, BRIC (The Stoop @ BRIC Arts) 647 Fulton Street, Brooklyn, NY. Coffee + Conversation discussing current BRIC exhibition “Reenactment” with curator Jenny Gerow and exhibiting artists Maria Hupfield and Farideh Sakhaeifer on how certain histories are privileged, stifled, and/or eventually re-examined. The exhibition features artworks by Ken Gonzalez-Day, Crystal Z. Campbell, Alicia Grullon (pictured in cover image), Hupfield, Sakhaeifer, and Marisa Williamson. Feb 3rd from 12-1 pm.  
  5. “Coming to America” Free Screening @Brooklyn Bazaar, 150 Greenpoint Ave, Brooklyn, NY. A light-hearted look at America (specifically, Jamaica Queens) through the eyes of a visitor from our current administration’s so-monikered “shithole countries”, come laugh off our current xenophobia with Eddie Murphy and Arsenio Hall’s devastatingly witty performance, with turns by the commanding James Earl Jones and Madge Sinclair in the classic 1988 film directed by John Landis.  No RSVP required, seating first come first serve. Jan 31st from 8-11 pm. 
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“Know Your Mushrooms: Mycology 101” Earth Arts Center

A Blade of Grass Celebrates Making Magic for their Night of Alchemy

It’s undeniable: the world is a bit more magical with A Blade of Grass in it.

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A Blade of Grass Fellow for Social Engaged Art, Quantum Black Futurism’s Rasheeda Phillips

A Blade of Grass, with its focus on promoting social change through social engagement and dialogue in contemporary art, is one of a kind. It has continually pushed the envelope by empowering artists through fellowships and providing platforms for dialogue on improving social conditions and inclusivity.

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ABOG Fellow Jackie Sumell’s Solitary Gardens in New Orleans, April 2017

Nowhere will this mission be better celebrated than in the organization’s annual benefit, Night of Alchemy, this November 7, 2017 from 6:30 – 9:30 pm at the Prince George. Honoring renowned artist Ross Bleckner, Brooklyn Museum director Anne Pasternak and Laundromat Project founder Risë Wilson, MC Shaun Leonardo will lead festivities in a night of vibrant festivities. The evening will also include a performance by Dancing Earth’s Rulan Tangen.

Help support A Blade of Grass and their mission to produce demonstrable impact through contemporary art at A Blade of Grass, and learn more about the annual benefit here.  See you there!